A literary genre is a category of literature. Genres may be determined by literary technique, tone, content, or length (especially for fiction). They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable.
Genres can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the above, not only as a subgenre (see below), but as a mixture of genres. They are defined by the general cultural movement of the historical period in which they were composed.
Genres are categories into which kinds of literary material are organized. The genres Aristotle discusses include the epic, the tragedy, the comedy, dithyrambic poetry, and phallic songs. Genres are often divided into complex sub-categories. For example, the novel is a large genre of narrative fiction; within the category of the novel, the detective novel is a sub-genre, while the "hard-boiled" detective novel is a sub-genre of the detective novel.
In the Rhetoric, Aristotle proposed three literary genres of rhetorical oratory: deliberative, forensic, and epideictic. These are divided based on the purpose of the orator: to argue for future policy or action (deliberative), discuss past action (forensic), or offer praise or blame during a ceremony (epideictic).
In the Poetics, Aristotle similarly divided poetry into three main genres: the Epic poetry, tragedy, and comedy. In the case of poetry, these distinctions are based not on rhetorical purpose, but on a combination of structure, content and narrative form. For each type, he proposed a definition as well as the rules for its construction.
The idea that it was possible to ignore genre constraints and the idea that each literary work was a "genre unto itself" gained popularity. Genre definitions were thought to be "primitive and childish."
At the same time, the Romantic period saw the emergence of a new genre, the 'imaginative' genre. The reason for this shift is often attributed to the social events that were taking place in the Western world in terms of wars, infighting and overthrown leadership. People felt the need for "escapism" to remove themselves from their respective situations.
Western literature is typically subdivided into the classic three forms of Ancient Greece, poetry, drama, and prose. Poetry may then be subdivided into the genres of lyric poetry, epic poetry, and dramatic. The lyric includes all the shorter forms of poetry e.g., song, ode, ballad, elegy, sonnet. Dramatic poetry might include comedy, tragedy, melodrama, and mixtures like tragicomedy.
The standard division of drama into tragedy and comedy derives from Greek drama. This division into subgenres can continue: comedy has its own subgenres, including, for example, comedy of manners, sentimental comedy, Burlesque, and satirical comedy.
The genre of semi-fiction includes works that mix elements of both fiction and nonfiction. A semi-fictional work may be the retelling of a true story with only the names changed; at the other end of the spectrum, it may present fictional events with a semi-fictional protagonist, as in Jerry Seinfeld.
Often, the criteria used to divide up works into genres are not consistent, and can be subject to debate, change and challenge by both authors and critics. However, some basic distinctions are widely accepted. For example, it is commonly accepted that the genre of fiction ("literature created from the imagination, not presented as fact, though it may be based on a true story or situation") is not applied to all fictitious literature, but instead encompasses only prose texts (novels, novellas, short stories) and not fables.
Common genres in Western literature
Related methods of categorization of literature
See also
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